Showing posts with label chopin. Show all posts
Showing posts with label chopin. Show all posts

Wednesday, March 14, 2012

New Album Review: Benjamin Grosvenor Plays Chopin Liszt & Ravel

At my curmudgeonly worst I’m skeptical of child prodigies, when I’m better tempered I just fear for their future. Eleven-year old Benjamin Grosvenor was the youngest-ever winner of the 2004 BBC Young Musician of the Year Competition, and at age 13 he made his Carnegie Hall and Royal Albert Hall debuts. In 2011 he became the youngest British musician signed to the Decca label. Now, after hearing his debut album for Decca, I’m neither skeptical nor concerned about his future; he’s amazing and his future should be limitless.
Grosvenor has programmed an interesting album. He opens with Chopin’s Four Scherzos and balances things nicely by placing a Nocturne after each one. Sitting in the center of the program, serving as what Grosvenor calls in the liner notes “an unusual pivot” between Chopin and Ravel, is Liszt’s En rêve and two Liszt transcriptions of Chopin songs. Ravel’sGaspard de la nuit closes the program.

Tuesday, November 22, 2011

New Album Review: Chopin, Mendelssohn: Cello Sonatas


Cellist Pieter Wispelwey and pianist Paolo Giacometti partner in Felix Mendelssohn’s effervescent Cello Sonata No. 2 and Frédéric Chopin’s rarely heard Cello Sonata in G minor. The album is rounded out with Mendelssohn’s Song without Words in D, and three of Chopin’s Op. 64 waltzes arranged for cello and piano by legendary 19th century Russian cellist Karl Davydov.
The Mendelssohn Sonata is a terrific adrenalin blast. The rollicking opening Allegro fairly roars out of the gate with the two performers putting their feet on the gas pedal without compromising tonal quality or precision. The Allegretto scherzando (another of Mendelssohn’s great quicksilver scherzi) is nimbly athletic with Wispelwey snapping off crisp pizzicato notes with great alacrity. The gorgeous Adagio features fluid arpeggiated chords from Giacometti that have a chorale-like feel, and when Wispelwey joins him in the song the result is thrilling. As energetic as the opening movement was, the Molto allegro finale trumps it for pure propulsion. This is a brilliant performance from start to finish.